Of the many recordings Evans issued, the two Vanguard dates and Explorations are the ultimate expressions of his legendary trio.' C. Writing for AllMusic, music critic Thom Jurek wrote of the album: 'While the Sunday at the Village Vanguard album focused on material where LaFaro soloed prominently, this is far more a portrait of the trio on those dates. This album is widely considered to be one of the best in the Evans canon, and the type of emotive interplay between the musicians that at some points seemed almost deconstructed has served as a model for piano trio play. Reception Professional ratings Review scores The entire day's recordings were released in 2005 as The Complete Village Vanguard Recordings, 1961. The CD reissue of the album contains several outtakes.

It remains what is likely Evans' most well-known song, one that he would play throughout his career. It originally appeared as a solo piano piece on Evans' debut album, New Jazz Conceptions. The title track, a musical portrait of Evans' niece, became a staple of his live repertoire in later years. When Evans returned to the trio format later in 1962, it was with Motian and bassist Chuck Israels. The loss of LaFaro hit Evans hard, and he went into a brief seclusion.

The album was the fourth and final effort from the unit-LaFaro died in a car accident just ten days after the live date at the Village Vanguard from which Waltz for Debby and its predecessor, Sunday at the Village Vanguard, were taken. Waltz for Debby is a live album by jazz pianist and composer Bill Evans and his trio consisting of Evans, bassist Scott LaFaro, and drummer Paul Motian.

Bill evans waltz for debby score